By Dr Roger Clegg,Ms Lucie Skeaping
A renowned crowd-pleaser within the past due 16th and mid-17th century, the dramatic jig used to be a quick, comedian, bawdy musical-drama which incorporated parts of dance, slapstick and cover. With a forged of getting older cuckolds and younger head-strong other halves, knavish clowns, roaring squaddies and kingdom bumpkins, jigs usually as afterpieces at London’s playhouses, and have been played at festivals, in villages and in inner most homes. frustrating to the professionals, they drew the crowds by way of providing a full of life antidote to extra sober theatrical fare.
This functionality version offers for the 1st time 9 examples of English dramatic jigs from the past due 16th century via to the recovery; the scripts are re-united so far as attainable with their unique tunes. It supplies a complete historical past, discusses resources, plots, instrumentation and dancing, and gives useful details on staging jigs today.
Transcriptions of the unique texts
Contextual notes: plot synopses and dialogue of assets, subject matters and viewers reception
Musical notation for every song, with feedback for underlay and chords, and notes on instrumention and style
Appendix of dance directions and reconstructions
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Singing Simpkin and other Bawdy Jigs: Musical Comedy on the Shakespearean Stage: Scripts, Music and Context (Exeter Performance Studies) by Dr Roger Clegg,Ms Lucie Skeaping